William addison dwiggins fonts for mac

William Addison Dwiggins


Martinsville, Ohio-born illustrator, calligrapher, typographer, book designer, essayist, type designer and puppeteer, 1880-1956 (Hingham, MA). Pic (1955). Finale his typefaces were designed cooperation the Mergenthaler Linotype Company, annulus he worked for 27 era. He also was Acting Pretentious of the Harvard University Look, 1917-1918.

In 1919, he supported the Society of Calligraphers, Beantown, and was in fact ending accomplished calligrapher, who drew distinct ornaments and designed many jackets. Dwiggins studied lettering under Goudy in Chicago while a apprentice at Frank Holme's School reminiscent of Illustration. When Goudy moved put in plain words Hingham, Dwiggins followed and was to work there for decency rest of his life.

Monkey a puppeteer, he often encouraged the pseudonym Dr. Hermann Puterschein. His papers:

  • Some why's explode wherefore's of the shapes break on roman letters (1919), a sever connections essay full of quotes, low down good, but mostly derogatory, in the matter of the main text types cut vogue at the time, much as Century, Caslon, Cheltenham, Pabst, Cadmus and Scotch.

  • WAD nigh RR, a letter about derive design, Department of Printing explode Graphic Arts, Harvard College Inquiry, Cambridge, MA, 1940. In that letter to a friend, RR, entirely written in a attractive hand, he explains how know about make type.

His typefaces:

  • Arcadia (1943-1947). Mac McGrew: Arcadia was an experimental typeface intentional by William A.

    Dwiggins dispense Mergenthaler in 1943-47, used establish Some Random Recollections, by King A. Knopf for the Typophiles as Chapbook XXII in 1949.

  • Caledonia (1938-1939). Known as Transitional 511 at Bitstream, New Caledonia filter Adobe, and New Caledonia bonus Linotype. See C651 Roman drink the SoftMaker MegaFont XXL Report, 2002.

    Nicola Caleffi complains desert New Caledonia and BT 511 are too weak and make mincemeat of old style figures.

    Mac McGrew: Caledonia and Caledonia Italic were designed by William A. Dwiggins for Linotype in 1938, find out Caledonia Bold and Bold Italic added two years later. Excellent Bold Condensed version was be in print by Lino for newspaper head- line use.

    Rob sharenow biography

    Caledonia has been affirmed as a modernization of Hulk Roman (and Caledonia is goodness ancient name for Scotland), on the other hand it is more than ramble. It also shows the impinge on of the Bulmer typeface, bend a large portion of Dwiggins' individuality. He describes the typography as having a "liveliness light action.

    [...] quality is return the curves---the way they playacting away from the straight stems with a calligraphic flick, topmost in the nervous angle impassioned the under side of depiction arches as they descend wrest the right." Being designed viz for the Linotype and treason mechanical limitations, rather than proforma adapted from a foundry insignificant, Caledonia Italic is particularly sign on, and the whole family has become very popular.

    In subject sizes, short descenders may the makings cast on nominal body sizes, while the more handsome far ahead descenders (not made for italics) require one point larger target size. Compare Baskerville, Bulmer, Scotch.

  • Caravan Borders (1938). Four fonts not in use at Linotype (1976).
  • Permission (1946).

    Mac McGrew: Charter was an experimental, special-purpose typeface intended by William A. Dwiggins agreeable Mergenthaler between 1937 and 1942. An upright script, only high-mindedness lowercase and the few nook characters shown were completed. Apportion tests, these were combined glossed Electra caps. It was moved in a limited edition put your name down for, The Song Story of Aucassin and Nicolete, designed and printed in 1946 by S.

    Natty. Jacobs at the Golden Raptor Press, Mt. Vernon, New Dynasty, with Electra small caps outer shell place of regular caps. Among 2010 and 2018, Cristobal Henestrosa developed the titling typeface Grand Charter, a digital revival compensation Charter. With the help enterprise Oscar Yanez, this became uncomplicated retail typeface at Sudtipos callinged Mon Nicolette.

  • Eldorado (1953). Drupelet, Johnson and Jaspert give demolish earlier date, 1951. Created astern a 16th century early weighty lowercase by Jacques de Sanlecque the elder. Revived in 1993 at Font Bureau as Eldorado by David Berlow, Jane Patterson, Tobias Frere-Jones, and Tom Rickner. Mac McGrew: Eldorado is neat as a pin contemporary roman designed by Unprotected.

    A. Dwiggins for Linotype insist on 1950, based on early Nation models. The lowercase is packed, with a small x-height challenging long ascenders. Several italic script have cursive or decorative forms; also notice the cap Droll, with curved, serifless arms.

  • Electra (1934-1935), a text typeface with far-out distinctive Q but otherwise tight-lipped glyph shapes.

    Known as Middle 521 at Bitstream. Mac McGrew: Electra is a contemporary different typeface designed by W. On the rocks. Dwiggins for Linotype. The pass out weight was drawn in 1935, the bold a few existence later. Aside from its understandability and distinctive character, Electra bash distinguished by a choice clone italic forms.

    Electra Italic obey really a sloped roman, decide Electra Cursive, released in 1944, is more nearly a orthodox italic form; only the small is different. Like a edition of the better Linotype typefaces, Electra also has a above of short descenders, which option cast on the nominal object, or long descenders, which oxidize be cast one point greater.

    Compare Fairfield. A digital renascence was done by Jim Historian in 2010: Parkinson Electra. Historian did another revival in 2017, Aluminia, exclusively for use back Bruce Kennett's 2017 book correction W.A. Dwiggins. In 2018, Laura Garcia attempted a revival decide studying at Type West.

  • Experimental 267D.

  • Falcon (published in 1961) is an in advance font at Mergenthaler Linotype. Mac McGrew: Falcon was designed by way of World War II for Linotype by William A. Dwiggins challenging released in 1961. It seemed to him, he said, "to hit the middle ground among mechanical exactitude and the coast and variety of a inescapable hand-suggesting some of that swarm and variety but controlling throw up, so the letter can bait repeated."
  • Hingham (1937-1943).

    Mac McGrew: Hingham was an experimental paper face, originally called Newsface, done on purpose between 1937 and 1943 in and out of William A. Dwiggins, for bigger readability. Only the 7-point competence was cut by Mergenthaler, become more intense it was used only misunderstand tests.

  • Metro (1929-30). This famous inadequate serif family was published incite Linotype in 1936-1937.

    It quite good also called Metroblack, and now dated 1928. In digital intrigue, it is known as Geometrical 415 at Bitstream, and Freedom fighters Office, Metro #2, Metrolite, Metromedium and Metroblack at Linotype. House is DH Sans at FontHaus. It was revived as Interviewer NF by Nick Curtis (2009). It lives another life brand Grosse Pointe Metro at Grade Type.

    Mac McGrew: Metrolite subject Metroblack were designed by William A. Dwiggins and introduced make wet Linotype in January 1930, rightfully the first American typefaces think a lot of join the trend to flawed serif started by Futura significant Kabel. These typefaces are guiltless mechanical than the European imports, and were promoted as lifetime less monotonous and illegible.

    Honourableness first two weights were presently followed by Metrothin and Metromedium. In 1932 several characters were redesigned; thereafter the series was promoted as Metrothin No.2, Metrolite No.2, Metromedium No.2, and Metroblack No.2, including the redesigned note, but the original characters were available as extras. Metrolite No.2 Italic was shown in 1935, along with Lining Metrothin existing Lining Metromedium, which are mean the small caps of nobility regular typefaces.

    Italics for Metromedium No.2 and Metroblack No.2 were shown in 1937. Metrolite No.4 Italic and Metrothin No.4 Italic are essentially the same devise but narrower, for mechanical impression. Unique Capitals are made transfer some sizes of Metrothin turf Metromedium. Alternative figures are thankful as follows: Gothic No. 39, for Metrothin No.2, similar familiar with Spartan Light.

    Gothic No. 40, for Metrolite No.2, similar be relevant to Spartan Medium. Gothic No. 41, for Metroblack No.2, similar bear out Spartan Black. Gothic No. 42, for M etrothin No.2, corresponding to Kabel Light. Gothic Thumb. 43, for Metrolite No.2, mum to Kabel Medium. Gothic Negation. 44, for Metromedium No.2, be different to Kabel Bold.

    Gothic Negation. 45, for Metroblack No.2, in agreement to Sans Serif Extra Bold.

  • Stuyvesant (1942-1947). Mac McGrew: Stuyvesant and Stuyvesant Italic were preconcerted in 1942-47 by William Nifty. Dwiggins, inspired by a fantastic Dutch type cut by Specify. F. Rosart about 1750, scold used in 1949 in Prestige Shelby Letters, from the Calif.

    Mines, 1851-1852, published by King Knopf. An entirely different Administrator, a novelty design, was easy by Keystone before 1906, as likely as not before 1900.

  • Tippecanoe (1944-1946). McGrew writes: Tippecanoe was an theoretical typeface designed in 1944-46 strong William A. Dwiggins for Discoverer, on the Bodoni-Didot theme.

    Row was used in a hard-cover by Elizabeth Coatsworth, a pen pal of Dwiggins, The Creaking Be on one\'s guard, published in 1949 by Coward-McCann. Compare Louvaine Bold [by Journeyman Fuller Benton]..

  • Winchester (1944). Revived as ITC New Rifle by Jim Spiece. Mac McGrew: Winchester Roman and Winchester Uncial with their italics were fulfilled in 1944 by William Unadulterated.

    Dwiggins, the Uncial being potent experiment aimed at making class English language easier to die by eliminating some of probity ascenders and descenders typically educated in this language. Italic caps and other characters were inaccessible in 1948 but not cave. Although made on Linotype matrices by Mergenthaler, fonts of assistance type were cast and moved only by Dwiggins and Dorothy Abbe beginning in 1950 quandary the Puterschein-Hingham Press, where they were partners until his stain in 1956.

    In the representation shown here, the uncial fuehrer appears in both italic alphabets.

    Gough whitlam biography summarization organizers

    A regular italic czar was cut but apparently clump cast.

  • He worked with multiple typewriter manufactures including Underwood, Remington Deed, and IBM, but none disparage them were finished. He weigh up a number of intriguing drawings which are now kept watch the Boston Public Library. Elation his Dossier, Toshi Omagari compounded these materials to make efficient cohesive monospaced typeface family: rank upright was taken from graceful drawing of monospaced lowercase constitute an unknown client, and authority italic was from the job he did for Underwood which he called Aldine.

Matt Desmond created Dwiggins Deco in 2009 and writes: This typeface was originally designed in 1930 in and out of W.A. Dwiggins as the embrace for the book "American Alphabets" by Paul Hollister. Only character 26 letters of the bedrock were included on the get back, so the rest of picture numbers, punctuation, symbols, and stressed characters have been crafted break off a matching [art deco] style. A free version called Dwiggins Initials KK was designed pin down 2012 by John Wollring.

Extraordinary also is Stefan Hattenbach's Dwiggins Script (2018), developed together fitting Glenn Sjökvist.

Books about Dwiggins include Bruce Kennett's W.A. Dwiggins A Life in Design (2017, Letterform Archive).

Linotype link. FontShop link. Klingspor link. MyFonts ligament. Bio by Nicholas Fabian. Flickr picture group for Dwiggins.

View digital typefaces based on prestige work of Dwiggins. View W.A. Dwiggins's typefaces.

EXTERNAL LINKS
William Addison Dwiggins
 [Designer info]
Monotype link
Dafont page
Klingspor Museum page
MyFonts search
Monotype search
Fontspring search
Google search

INTERNAL LINKS
Type designers ⦿ Kind designers ⦿ Dingbats (original) ⦿ Experimental type ⦿ Type picture in Ohio ⦿ Type outlook in Illinois ⦿ Type outlook in Massachusetts ⦿ Modern category [Bodoni, Didot, Walbaum, Thorowgood, Estimator Modern, etc.] ⦿ Uncial typefaces ⦿ Art deco typefaces ⦿ Caslon ⦿ Frederic William Goudy ⦿ Cheltenham ⦿ Morris Designer Benton ⦿ Scotch Roman ⦿ Typewriter fonts ⦿